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Let's begin!!! Only 30 minutes to go....
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Ready???
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I'm more than ready. I don't have to go to work tomorrow, either. Bring it!
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IowaWatcher wrote:
I'm more than ready. I don't have to go to work tomorrow, either. Bring it!
Yea! Good for you!!
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should be good. I'm holding on to my hat! LOL
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HOOOO-AAAAAAAH
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Fire up The Supertramp - one of my favourite 70s bands
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My theory is Murciano is a Reddington plant. Murdington if you will . . . . lol
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Christmas AND a piano!!!
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interesting musical references during the memory conversation - photograph, music, keyboard
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Reddington was listening to the end of Don Giovanni where he's dragged down to hell for all his past crimes.
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Tatiana - thanks! missed the Christmas reference. LOL
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BBB - a plant by Reddington or maybe by whoever is protecting him in the FBI. But yet he's after Liz
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So Kaplan says she is meeting him via a mutual friend. wonder who that is?
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LDJones wrote:
Reddington was listening to the end of Don Giovanni where he's dragged down to hell for all his past crimes.
THANK YOU!!!! I figured I'd have to look it up later....how ominous!
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lara1 wrote:
So Kaplan says she is meeting him via a mutual friend. wonder who that is?
I assume it's the doctor who explored Liz's memories in Luther Braxton
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Tatiana wrote:
LDJones wrote:
Reddington was listening to the end of Don Giovanni where he's dragged down to hell for all his past crimes.
THANK YOU!!!! I figured I'd have to look it up later....how ominous!
Yes and interesting what Red says - he doesn't like it because he's listened to it so often. He's referring to Mozart in general, but still, clever line!
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lara1 wrote:
interesting musical references during the memory conversation - photograph, music, keyboard
and K Street which I just kept thinking of Kate Kaplan with a capital K
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In Don Giovanni it's his last victim who comes back to get him and drag him there.
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lara1 wrote:
BBB - a plant by Reddington or maybe by whoever is protecting him in the FBI. But yet he's after Liz
The way the show works - almost anyone could have altered FBI data with so little oversight . . . . .